2025年4月2日上午十点，如期举行一年一度的音乐盛事——"杭校杯"新春钢琴音乐会。在简约又充满活力的艺术中心，小音乐家们在音乐会中大放异彩。钢琴的震动与和煦的春风形成跨越时空的和鸣。

G6-4班赖雨诺Iris演奏的是舒伯特《降G大调即兴曲》，为音乐会拉开了帷幕。这首被誉为“流动的珍珠”的作品，在她细腻的触键下呈现出丝绸般的质感，左手波浪形分解和弦如夜雾中的溪流，托举着右手的咏叹调在明暗交替的和声中起伏。

紧接着上场的是 G6-4班的李浚菲Amy。垂眸轻抚琴键，肖邦《升C小调夜曲》的叹息如月光滴落。她以丝绸般的触键晕染出了夜曲的琥珀色光晕。

G6-4班陆嘉凌Julie指尖轻叩琴键，门德尔松《无词歌·威尼斯船歌》的波光顷刻漫过音乐厅。三连音如贡多拉划破晨雾，旋律线在触键中浮出水面。

曲风一变， G6-5班李悦然Joyce带来了一首久石让的《红猪》。以扎实的触键与清晰的节奏处理展现了作品特质，整体演奏层次分明，生动地呈现出乐曲中蕴含的翱翔意象与怀旧情感。

G7-1班梁嘉树Bati带来的是拉威尔《水之嬉戏》，霎时迸溅出塞纳河畔的星光。当手掌侧锋刮奏出瀑布飞沫时，倾泻的音符激流在高音区凝成悬浮的水滴，为音乐会带来了又一个新的高潮。

紧接着上场的是 G8-2班的阮啸天Peter，他奏响的曲目是李斯特的《钟》。快速交替的指法如同敲击银铃，演奏连续八度时，身体随音符起伏，手腕灵活地划出钟摆般的弧线。

G8-3班的姜力诚Jonny奏响的是西贝柳斯的《第三随想曲》。深沉的低音如海浪拍打礁石，旋律忽而温柔如北欧极光，忽而激昂似林间暴风。

G8-3班肖越腾Terry演奏的作品是韦伯的《邀舞》，随着圆舞曲节奏渐起，他手腕轻转，音符像旋转的水晶灯般流光溢彩，身体随三拍子微微倾斜，仿佛带着舞伴在琴键上滑出华尔兹弧线。

G8-3班陆宜辰Elizabeth带来的是张朝改编的《在那遥远的地方》。指尖轻揉琴键带出草原长调般的辽阔，手腕起伏时，音符如篝火火星腾空又飘散。

来自 G9-3班的耿浩洺Oscar演奏的是肖邦的《夜曲》。琴声时而化作泛着涟漪的湖面，时而变成枝头欲坠的露珠。他的指尖像萤火虫掠过琴键，手腕轻轻转动时，带出几缕叹息般的装饰音。

G9-4班高梓萱Monica以拉赫玛尼诺夫《升c小调前奏曲》作为音乐会终曲。演奏中，她精准驾驭了作品特有的浑厚和弦与疾速音流，高潮乐段通过对手臂重量的娴熟控制，将作曲家标志性的戏剧张力完整释放。最后一个和弦消散时，全场爆发出热烈的掌声，为这场音乐会留下了余韵悠长的收尾。

一场音乐盛宴过后，观众恍若置身艺术殿堂，心灵与情感皆受涤荡升华。音乐会不仅令众人领略到音符之美，更将艺术的魅力注入心扉。

At 10 am on April 2, 2025, the annual music event - HBBSS New Year Piano Concert was held as scheduled. In the simple and vibrant arts center, young musicians shine in concerts. The vibration of the piano and the warm spring breeze form a harmony across time and space.

Iris Lai from class G6-4 opened the concert with a performance of Schubert - Impromptu Op.90 No.3. Hailed as a "flowing pearl," the work takes on a silky texture under her delicate touches, with the left hand undulating in undulating chords like streams in the night mist, and the aria holding the right hand undulating in alternating chords of light and shade.

Next on the stage was Amy Li from class G6-4. Drooping eyes gently stroke the keys, Chopin's "Nocturne in C Sharp minor" sigh like the moonlight dripping. With her silky touch she smudges the amber glow of the nocturne.

Julie Lu of class G6-4 tapped the keys with her fingertips, and the light of Mendelssohn - Songs Without Words, Op.19b No.6 flooded the concert hall in an instant. Triplets cut through the morning mist like a gondola, melodic lines surfacing at the touch of a key.

With a change of style, Joyce Li from Class G6-5 brought a song titled "il porco rosso" by Hisaishi. The steampunk touch forged Adriatic propeller rhythms into a precise sound chain, the left hand pushed octaves into the riveted wing skeleton, and the right hand melodic lines shook copper pipe colors through the clouds.

Bati Liang of G7-1 class brought Ravel - Jeux d'eau M.30, which burst out the stars of the Seine River. When the side of the palm blows the waterfall droplets, the pouring note torrent condenses into suspended water droplets in the high notes, bringing another climax to the concert.

Peter Ruan, from Class G8-2, played Liszt - La Campanella. Rapid fingering is like striking a silver bell, the left hand jumps in the low register to play a horseshoe rhythm, the right hand high melody as clear as a church bell. When playing a continuous octave, the body rises and falls with the notes, and the wrist makes a flexible pendulum-like arc.

Jonny Jiang from Class G8-3 played Sibelius - Caprice's Rhapsody Op.24 No.3. The bass is as deep as the waves crashing on the rocks, and the melody is as gentle as the northern lights, and as intense as a forest storm. At the climax of the performance, the body rises and falls with arpeggios like driving a bumpy snowfield carriage, and finally ends with a sonorous chord, like the orange lights of a wooden house in the dusk, and the cool smell of a Nordic pine forest echoes in the aftertaste.

Terry Xiao of Class G8-3 performed Weber - Aufforderung zum Tanze Op.65. The bass of the left hand was like a gentleman bowing to send out an invitation, and the treble of the right hand was like a lady gently lifting her skirt in response. As the rhythm of the waltz crested, his wrist turned gently, the notes flowing like rotating crystal lamps, and his body tilted slightly in triple time, as if he were sliding a waltz arc across the keys with his partner.

Elizabeth Lu from Class G8-3 brought Zhang Chao's adaptation of "In that Faraway Place". Fingertips gently knead the keys to bring out the grassland long melody of the vast, the melody is like the wind across the tent whimper, and now into a girl's robe swinging silver bells. When the wrist rises and falls, the notes are like fire sparks in the air and float away, and the body shakes with the chord like seeing the horizon.

Oscar Geng from class G9-3 brought Chopin - Nocturne Op.62 No.1. The melody turns into ripples on the surface of the lake, and then condenses into the dew that will fall on the branches. The fingertips swim like fireflies as they slide across the keys, and the wrists turn with a sighing grace note.

Finally, Monica Gao from class G9-4 brought Rachmaninoff's "Prelude in c Sharp Minor", which shattered the night like a church bell, the melody was like a chain on the ice, and the metallic roar of the fingertips when they hit the keys. The climax of the arm like Thor's hammer, stirring up a silver lightning, for the concert to draw a perfect end.

After a musical feast, the audience felt as if they are in the palace of art, and their hearts and emotions were refreshed and sublimated. The concert not only made people appreciate the beauty of musical notes, but also infused the charm of art into their hearts.

中英文丨 8-3姜力诚  肖越腾

图丨 6-4马逸凡

编辑丨金蕾